One Story @WriteOneStory
The groundbreaking screenwriting approach revealing the hidden process of all compelling films: an inner journey from fragmentation to creative becoming write1story.com Los Angeles, CA Joined March 2025-
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Revenge is a process in life that never really feels satisfying. It's a dead-end psychological gesture that only promotes more suffering. Movies devoted to 'revenge' are potentially doomed from the start. Their humanity is circumvented. —Follow @WriteOneStory
"One Story reveals the psychological core beneath all gripping narratives—a profound internal struggle determining why we care deeply and why characters come vibrantly alive. For the first time, One Story articulates this fundamental process." Discover write1story.com
"To feel the true, deep spine of gripping screenplays, we will need to leave behind standard language, conventional terms, and unhelpful paradigms." —One Story: Screenwriting as Self Becoming Follow @WriteOneStory Sign Up at write1story.com
"Unlock your screenwriting with a groundbreaking psychoanalytic process driving every compelling narrative. Visit write1story.com and discover how to envision stories that embody the fundamental human journey from neglected potential to creative wholeness."
One Story - Process Questions: #3 - What is a story for? #8 - Why is a character in a story? #17 - Why do Acts exist? Follow @WriteOneStory
One Story — Process Questions: #17 What makes a film’s climax feel like destiny instead of convenience? #26 Why do some films feel alive, while others feel like a series of events? Follow @WriteOneStory
"How do Act 2 scenes show, strain, or escalate their attempts to cope with their inner disparity? How do they eventually express the collapse of an inability or refusal to be at one with themselves?" —OneStory: Screenwriting as Self Becoming by Andrew Hewitt @WriteOneStory
"What makes us integrate anything inside ourselves? Or want to? Why proceed with self-becoming? The protagonist's psychological 'faith' is the deep preconception that self-integration is _possible_." Follow @WriteOneStory
@Gibboanxious James Cameron is too exquisite a screenwriter to write didactically. ALIENS is the story of a woman reclaiming her desire to parent her child. Ripley needs the story to *become* that. This is why we see her move from nightmare to dream. Follow @WriteOneStory
"Antagonists are tragic characters—antagonistic to themselves—insanity in 'statu nascendi', the germ of psychic disintegration. Tragedy emerges from their irreparable, destructive refusal of self-integration." Follow @WriteOneStory
Genre is irrelevant to human process. Compelling characters in any genre need to become more themselves. Their story will not be done until they accept their previously irreconcilable inner selves. Follow @WriteOneStory
@tonytost "Many writers confuse the distinction between personal & external 'importance' (studio/theother). The preconception of 'what is important' is a projection of the writer's inner ideas—not creative imagination." —One Story: Screenwriting As Self Integration Follow @WriteOneStory
"Where is the authentic human complexity of inner experience? And where is the writer’s being? We must learn how to speak a fresh language for screenwriting—one that actually encapsulates the nature of inner, human process." #TCR Follow @WriteOneStory
The protagonist journeys through inner division, psychic collapse, and self-repair. This process of human becoming is the audience’s emotional experience—and the screenwriter’s daily task. Follow @WriteOneStory
DANCES WITH WOLVES (VO): "As I heard my Sioux name being called over and over, I knew for the first time who I really was." The heart of every gripping narrative is a character's struggle with becoming. Follow @WriteOneStory
The function of Act 1 is to build the tension of irreconcilable selves within the protagonist, so that there is no option but to proceed into the new world of Act 2 or die a stagnant death inside. Follow @WriteOneStory
The screenwriter must experience the same psychological transitions as the character, if they are both to be human. Act 2 problems are the same for both writer and protagonist. Defending against that promotes irreparable damage to their creative process. Follow @WriteOneStory
"When you feel compelled—from that place inside yourself that needs to speak—to write a tragic character, you will produce the journey of a protagonist whose psychological process ends in self destruction." —One Story: Screenwriting as Self Integration Follow @WriteOneStory
If your screenplay does not engender a protagonist with a fragmented self, there is no screenplay. No motivation. No need. No drive. The only true cause for our attention is a character frustrated by their lack of becoming. #TCR | #screenwriting | Follow @WriteOneStory
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