Tu écris encore tes scénarios dans Google Docs ?
Marges à la main, tabuler pour centrer un nom, zéro idée du nombre de pages… Docs n'est pas fait pour ça.
Slash oui : tape / pour chaque élément, export PDF propre. Gratuit → slash-studios.com
Still writing your scripts in Google Docs?Faking margins, tabbing to center a name, no idea how many pages… Docs wasn't built for this.Slash is: press / for any element, clean PDF export. Free to start → slash-studios.com
Tu « prépares » ton scénario depuis 6 mois. Écris-le.
Ouvre Slash : aucune install, tape / pour ajouter scène/dialogue/perso, exporte un PDF propre.
Gratuit pour commencer → slash-studios.com
You've been "planning" your screenplay for 6 months. Just write it. Open Slash: no install, press / to add a scene, dialogue or character, export a clean PDF.Free to start → slash-studios.com
Bloqué sur une scène ? Ton co-scénariste IA est dans Slash.
Il lit ton script en entier : analyse complète, 3 idées quand tu bloques, réécriture de dialogue, lignes d'action plus cinématographiques.
→ slash-studios.com#scenariste
Stuck on a scene? Your AI co-writer lives inside Slash.
It reads your whole script: full coverage, 3 ideas when you're stuck, dialogue rewrites, more cinematic action lines.
→ slash-studios.com#screenwriting
A good pitch fits in 3 sentences: who, what, why now. If it takes you 10 minutes to tell a producer your story, it's not ready yet. Clarity isn't a lack of ambition — it's proof of mastery.
slash-studios.com#screenwriting
Slash : tu écris ton scénario, l'appli le formate toute seule (scènes, dialogues, action).
Gratuit pour commencer. Fait pour les scénaristes qui veulent juste écrire, pas payer 250€ Final Draft. 🎬
slash-studios.com#finaldraft#scénariste
Slash: you write your screenplay, it formats itself (scenes, dialogue, action).
Free to start. Built for writers who just want to write — not pay $250 for Final Draft. 🎬
slash-studios.com#finaldraft#screenplay
La structure d'abord, les répliques après. Wilder construisait ses scénarios comme des bâtiments : rien ne tient si les fondations bougent. Avant d'écrire une scène, savez-vous pourquoi elle existe ?
👉 slash-studios.com#scénario#cinéma
Structure first, dialogue second. The great screenwriters built their scripts like buildings — nothing holds if the foundation moves. Before you write a scene, do you know why it exists?
👉 slash-studios.com#screenwriting#filmmaking
On Slash, you leave a comment directly on a scene for your co-writer or producer — no more Word file with "v15_FINAL_final2" in the name. Script collaboration shouldn't be a treasure hunt. slash-studios.com#screenwriting
Sur Slash, tu laisses un commentaire directement sur une scène pour ton co-scénariste ou ta prod — pas besoin d'un Word avec 15 versions dans le nom de fichier. Collaborer sur un scénario ne devrait pas être une chasse au trésor. slash-studios.com#screenwriting#scénario
Le sous-texte, c'est 80% du travail sur un dialogue.
Exercice simple : prenez une scène que vous venez d'écrire, supprimez la moitié des répliques les plus "explicites". Si la scène tient encore debout, c'est que vous n'aviez pas besoin d'elles.
#scénarioslash-studios.com
Subtext is 80% of what makes a dialogue scene work.
Quick exercise: take a scene you just wrote, cut half the most "on-the-nose" lines. If it still holds up, you didn't need them.
slash-studios.com#screenwriting
Le syndrome de la page blanche n'existe pas vraiment. Ce qui existe, c'est l'absence de structure. Un scénariste productif n'écrit pas "mieux", il planifie mieux avant d'écrire : séquencier, beat sheet, puis dialogue. slash-studios.com#scénario
Writer's block isn't really a thing. What's missing is structure. Productive screenwriters don't write "better" — they plan better before they write: outline, beat sheet, then dialogue. slash-studios.com#screenwriting
our whole feature in one giant doc? 😵💫
Slash organizes it: acts, scenes, characters, and a live page + runtime count as you write.
Free to start → slash-studios.com
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