Mixing Light LLC @MixingLight
Digital Video Color Grading & Finishing Creatives: Accelerate your career, develop skills, get better gigs, stay up-to-date with our community of professionals. mixinglight.com Global Joined October 2012-
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Learn why film emulation plugins never match, then tour FilmConvert's stocks, grain, halation, and hidden Cineon negative workflow with colorist and cinematographer Billy Causey. mixinglight.com/color-grading-…
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Explore Nobe OmniScope's 1.11 QC tools, Free Run mode, config sharing, and the HectorScope 3D visualization with developer Tom Huczek. mixinglight.com/color-grading-…
Genesis builds its film print emulation from Kodak's white paper math. Billy Causey shows you how its negative/print controls work and compares it to four alternatives. mixinglight.com/color-grading-…
Learn the five pillars of coding with AI agents in post-production: memory files, skills, knowledge bases, Git, and plan mode. mixinglight.com/color-grading-…
Puget Systems' Peter Emery on why RAM and GPU prices spiked, where to spend and where to save, and unified memory vs a discrete GPU. mixinglight.com/color-grading-…
Adjust multiple Fusion tools at once with Resolve 21's Combine Selected Tools button: relative drags, overwrites, and multi-tool layers. VFX artist Bernd Klimm shows you how. mixinglight.com/color-grading-…
Learn advanced green screen keying in Baselight v7 with colorist and finishing artist Corey Martinez: combine multiple HueAngle keys, merge mattes, refine edges, and suppress spill. mixinglight.com/color-grading-…
See where Filmbox's polish comes from: Lab controls, printer lights, print systems, and expired Vintage Cinema film stocks. mixinglight.com/color-grading-…
Understand where post production's rules come from: frame rates, codecs, color management, deliverable specs, and more. Colorist Katie Hinsen breaks it down. mixinglight.com/color-grading-…
Get working in Fusion's Keyframes and Spline Editors: mastering the viewer, aligning keyframes, and infinite looping animations. VFX artist Bernd Klimm takes you through it. mixinglight.com/color-grading-…
Learn how working colorists roll out DaVinci Resolve 21, evaluate the new Photo page, and find the sleeper features worth your time. mixinglight.com/color-grading-…
DaVinci Resolve 21 updates the Fusion Macro Editor: reorder controls, build nests, rename parameters, and save Edit page templates. mixinglight.com/color-grading-…
Why does Dehancer's default feel so rich? Explore negative-only film emulation, print-side controls, and the posterization fix with colorist and cinematographer Billy Causey. mixinglight.com/color-grading-…
Gain, Temperature, HDR wheels, Chromatic Adaptation, or ACEScc Offset? Dissect Resolve's white balance tools with colorist Rafael Bernabeu to find what sets them apart. mixinglight.com/color-grading-…
mixinglight.com/color-grading-… Learn to accurately preview resizes and output blanking inside Resolve Fusion with synced guides, Color page preview, and Transform nodes.
Build custom mattes in DaVinci Resolve: colorist Rafael Bernabeu turns any operation into a selection with the Difference composite mode. mixinglight.com/color-grading-…
Editor and vibe coder Jonny Elwyn shows you how to turn a Premiere Pro XML into CSV shot lists and DaVinci Resolve conform markers with a free Mac tool - and learn when to buy instead. mixinglight.com/color-grading-…
Senior Colorist Joey D'Anna takes you through a demo of Luminary, a Dolby Vision IMF metadata QC and validation GUI - synced live with DaVinci Resolve. mixinglight.com/color-grading-…
The full ACES workflow from camera to delivery. Billy Causey Jr teaches you Show LUTs, on-set monitoring, ACEScct setup in Resolve, and rendering. mixinglight.com/color-grading-…
VFX Artist Bernd Klimm breaks down DaVinci Resolve Fusion's Path modifier - how it differs from an XY Path, and how one curve can drive motion, rotation, and paint. mixinglight.com/color-grading-…
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